The whole thing can't be trusted really". Asked about the rise of digital photography, he said: "Digital photography can be a totally lying experience – you can move what you want. A special exhibition dedicated to his work is to be commissioned. In November 2015 McCullin was named Photo London Master of Photography for 2016, at the launch of Photo London, an art fair due to open at Somerset House in May 2016. In later years, McCullin has turned to landscape, still-life works and commissioned portraits. In 2012, a documentary film of his life, McCullin, directed by David Morris and Jacqui Morris, was released. His most recent publication is Southern Frontiers: A Journey Across the Roman Empire, a poetic and contemplative study of selected Roman and pre-Roman ruins in North Africa and the Middle East. His book, Shaped by War (2010) was published to accompany a retrospective exhibition at the Imperial War Museum North, Salford, England in 2010 and then at the Victoria Art Gallery, Bath and the Imperial War Museum, London. He is the author of a number of books, including The Palestinians (with Jonathan Dimbleby, 1980), Beirut: A City in Crisis (1983) and Don McCullin in Africa (2005). At the time he believed it was because the Thatcher government felt his images might be too disturbing politically. In 1982 the British government refused to grant McCullin a press pass to cover the Falklands War, claiming the boat was full. The photographs from this day were published in the 2010 book A Day in the Life of the Beatles.Ī documentary about McCullin entitled Just One More War, directed by Jana Boková, with ATV as the production company, aired on the ITV network in 1977. They contain many well-known images of the band, including the gatefold sleeve picture from the Red and Blue compilations where the Beatles mingled with the crowd seen through railings. These sessions, made at several London locations, have become known as The Mad Day Out. Also in 1968, on 28 July, he was invited to photograph the Beatles, then at the height of their fame and in the midst of recording The White Album. He also took the photographs of Maryon Park in London used in Michelangelo Antonioni's 1966 film Blowup, In 1968, his Nikon camera stopped a bullet intended for him. His hard-hitting coverage of the Vietnam War and the Northern Ireland conflict is held in particularly high regard. Between 19, he worked as an overseas correspondent for the Sunday Times Magazine, recording ecological and man-made catastrophes such as wars, amongst them Biafra in 1968, and victims of the African AIDS epidemic. He was persuaded by his colleagues to take his photograph of The Guvnors, as the gang was known, to The Observer, which published it, setting him on his path as a photographer. In 1958 he took a photograph of a local London gang posing in a bombed-out building. On return to Britain, shortage of funds led to his pawning the camera and his mother used her money to redeem the pledge. During this period McCullin bought his first camera, a Rolleicord, for £30 when stationed in Nairobi. He failed the written theory paper to become a photographer in the RAF and spent his service in the darkroom. ![]() Photojournalism ĭuring his National Service, McCullin was posted to the Suez Canal during the 1956 Suez Crisis, and served as a photographer's assistant. ![]() He was then called up for National Service with the Royal Air Force (RAF) in 1953. He won a scholarship to Hammersmith School of Arts and Crafts but, following the death of his father, he left school at the age of 15, without qualifications, for a catering job on the railways. He has mild dyslexia but displayed a talent for drawing at the secondary modern school he attended. McCullin was born in St Pancras, London, and grew up in Finsbury Park, but he was evacuated to a farm in Somerset during the Blitz. His career, which began in 1959, has specialised in examining the underside of society, and his photographs have depicted the unemployed, downtrodden and impoverished. ![]() Sir Donald McCullin CBE (born 9 October 1935) is a British photojournalist, particularly recognised for his war photography and images of urban strife.
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